My early drawings were an effort to force my mind to feel the art, to draw using the right side of the brain. I made drawings with my left hand, up-side-down, without looking at the paper, without lifting the pen or pencil from the paper. Making drawings using some of these techniques, especially continuous-line drawing, gave the subject a new meaning.
When people view a drawing I’ve made use one or a few continuous lines, and their eyes follow the lines of the image – consciously or unconsciously – they come away with a new meaning for the subject as well. Sometimes it takes a second look to understand the drawing adding a feeling of discovery.
When I use the line drawing to make a wire wall mural, the illustration’s continuous-line is emphasized.